Licensing & Collaboration
My work is available for editorial and commercial licensing. I also take on select collaboration projects with brands and organizations whose work intersects with mine.
Frequently Asked Questions
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My work is available for editorial licensing to publications, digital media, and news organizations. Coverage includes landscape, travel, and location-specific photography across the Pacific Northwest, Southwest, and Europe, with ongoing work in additional regions.
Editorial licenses are non-exclusive and negotiated per use based on publication, placement, and term. No model releases are required for the landscape and travel work in my portfolio.
Use the inquiry form below to describe your project and I'll respond within 2 business days.
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My work is available for commercial licensing to brands, agencies, and organizations. The portfolio covers landscape, travel, and location-specific photography across the Pacific Northwest, Southwest, and Europe — imagery suited to advertising, marketing campaigns, outdoor and travel brands, home decor, and related commercial applications.
Commercial licenses are negotiated per project based on intended use, placement, exclusivity, and term. Non-exclusive licensing is standard, allowing you to secure the rights you need while I retain the ability to license the same image for other purposes. Exclusive rights are available at a higher rate.
Use the inquiry form below to describe your project and I'll respond within 2 business days.
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My work is available for licensing to tourism boards, destination marketing organizations, and regional and hospitality brands. The portfolio includes landscape and travel photography across the Pacific Northwest, Southwest, and Europe, with ongoing work expanding to additional regions — imagery suited to destination campaigns, visitor guides, regional marketing, and related tourism applications.
Tourism and destination licenses are typically non-exclusive and negotiated per project based on intended use, geographic scope, and term. Multi-year licensing arrangements are available for organizations looking to secure imagery for extended campaigns.
Use the inquiry form below to describe your project and I'll respond within 2 business days.
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Licensing is straightforward. You pay a negotiated fee for the right to use a specific image for a defined purpose, placement, and time period. You don't own the image — you own the right to use it as agreed.
A few things worth knowing before you reach out:
Non-exclusive by default. Unless we agree otherwise, licenses are non-exclusive — meaning I retain the right to license the same image to other buyers. If you need exclusivity, that's available at a higher rate.
No stock platform fees or intermediaries. All licensing is handled directly, which keeps the process simple and the communication clear.
High-resolution files delivered digitally. Once terms are agreed and payment is received, files are delivered promptly.
No model release required for landscape and travel work in the portfolio. All primary work is location and environment photography with no identifiable individuals.
Flexible terms. Licenses are negotiated per project. There is no one-size-fits-all rate sheet - usage, placement, geographic scope, and term all factor into the fee.
If you're not sure whether your project qualifies or what to ask for, use the inquiry form and describe what you're working on. That's enough to get the conversation started.
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Collaborations are project-based working relationships with brands, organizations, and fellow photographers whose work intersects with mine. Unlike a standard licensing arrangement where you're acquiring rights to existing images, a collaboration typically involves creating new work together around a shared subject, location, or concept.
What that looks like in practice varies by project. It might be a brand partnership built around a specific shoot — a location, a product in its natural environment, a campaign tied to a place or condition my work already covers. It might be a joint project with another photographer working in adjacent territory. What they have in common is that the subject matter needs to connect genuinely with the work I'm already making. I don't take on projects that require me to become a different kind of photographer.
Collaborations are selective by nature. If you have a project in mind and think there's a genuine fit, use the inquiry form below and describe what you're working toward. The more specific you are about the project, the better I can assess whether it makes sense to pursue.